Improbably combining the heartfelt optimism of
Taylor Swift
with the literate soulfulness of
Alicia Keys
and the melismatic virtuosity of
Mariah Carey
,
Tori Kelly
's full-length album, 2015's
Unbreakable Smile
, is a thrilling, positive-minded debut. Although
Kelly
had been an active performer since she was a child, appearing on America's Most Talented Kids and even walking away from a recording contract with
Geffen
when she was just 12 years old, it wasn't until she struck out on her own as an adult that she began gaining wider recognition. In fact, it was getting booted off American Idol in 2010 that ultimately set her down the creative path toward writing her own songs and recording
.
Produced by
Max Martin
(
Kelly Clarkson
P!nk
Ellie Goulding
),
finds
expanding upon the stripped-down vibe of her initial EPs, 2012's
Handmade Songs
and 2013's
Foreward
, with a set of emotive, well-crafted songs that straddle the line between melodic rock and contemporary R&B, and acoustic singer/songwriter pop. Part of what makes
so extraordinary is that, while being a truly gifted vocalist (she has perfect pitch), she's also an adept guitarist and songwriter who works as her own best accompanist. As her acoustic EPs proved, she almost doesn't need a producer, let alone a mega-producer like
Martin
, to knock your socks off. Nor does she need the help of saccharine Brit
Ed Sheeran
, although his presence dueting on "I Was Made for Loving You" only serves to back up the notion that
is a knockout vocalist.
In fact, one of the best tracks on
isn't even a full track, but just the album's 1:27 intro number, "Where I Belong." An acoustic, heartfelt declaration of grounded self-awareness, it's a low-key yet absolutely stunning way for
to kick things off and sets you up perfectly for what's to come. And though she immediately dives headlong into a sonically juicy, old-school '90s R&B-inspired aesthetic, she never gets overwhelmed by the production. On the contrary, cuts like the summery,
Janet Jackson
-esque title track, the funky,
Brand New Heavies
-sounding "Expensive," and the hypnotic, unrequited relationship anthem "Should've Been Us" are universally relatable, utterly infectious songs that you immediately want to hear again. Ultimately,
illustrates
's struggles to remain true to her own astute, artistic vision in the face of an industry that often seems to exhibit a perplexing mistrust of real, organic talent. As Kelly sings on the exuberant title track, "La da da da dee, you're not breaking me." ~ Matt Collar