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Under the Bushes Under the Stars
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Under the Bushes Under the Stars
Current price: $33.99
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Barnes and Noble
Under the Bushes Under the Stars
Current price: $33.99
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After firmly establishing themselves as America's most original and interesting band of part-time, over-30 garage rockers,
Under the Bushes Under the Stars
found
Guided by Voices
dipping their toes into something resembling professionalism. Leaving behind the homemade studio craft of their previous work, this album was recorded in a pair of actual recording studios, and the sessions boasted an outside producer (friend and temporary fellow Ohioan
Kim Deal
); while no one would mistake the results for the latest
Bob Rock
project, the set sounded more like a "real" record than anything
GBV
had attempted up to that time. The new edition of the band attempted to rise to the occasion, and though the performances lack the passion of
Bee Thousand
and
Alien Lanes
' finest moments, the stronger playing and cleaner production honors the pop sensibilities of
Robert Pollard
's songwriting.
Pollard
was also reaching for a better controlled style as a songwriter;
boats a mere 18 songs (as opposed to the 30 on
), and most sound like full fledged pop tunes, with fewer shards of musical fancy littering the way. While
's tighter reign over the band and new sense of self-control made this album a more solid and consistent album than
had made in the past, it's also not as exciting as
;
's songs lack a certain fire here (though
"Man Called Aerodynamics,"
"Your Name Is Wild,"
"The Official Ironmen Rally Song
" sound just fine), and the band sounds more stifled than enthused by their new grasp of the material. There's plenty to enjoy here, but it also appeared to have caught
in a transitional stage; just how much they were changing would be revealed on their next two albums. ~ Mark Deming
Under the Bushes Under the Stars
found
Guided by Voices
dipping their toes into something resembling professionalism. Leaving behind the homemade studio craft of their previous work, this album was recorded in a pair of actual recording studios, and the sessions boasted an outside producer (friend and temporary fellow Ohioan
Kim Deal
); while no one would mistake the results for the latest
Bob Rock
project, the set sounded more like a "real" record than anything
GBV
had attempted up to that time. The new edition of the band attempted to rise to the occasion, and though the performances lack the passion of
Bee Thousand
and
Alien Lanes
' finest moments, the stronger playing and cleaner production honors the pop sensibilities of
Robert Pollard
's songwriting.
Pollard
was also reaching for a better controlled style as a songwriter;
boats a mere 18 songs (as opposed to the 30 on
), and most sound like full fledged pop tunes, with fewer shards of musical fancy littering the way. While
's tighter reign over the band and new sense of self-control made this album a more solid and consistent album than
had made in the past, it's also not as exciting as
;
's songs lack a certain fire here (though
"Man Called Aerodynamics,"
"Your Name Is Wild,"
"The Official Ironmen Rally Song
" sound just fine), and the band sounds more stifled than enthused by their new grasp of the material. There's plenty to enjoy here, but it also appeared to have caught
in a transitional stage; just how much they were changing would be revealed on their next two albums. ~ Mark Deming