"McHugh's eighth book finds this acclaimed poet as odd and entertaining as ever, with her trademark slippery associative lines and jagged stanzas...but also subtly sobered by growing older while living through the grim political climate of the last eight years. McHugh's short, jerky lines, odd rhymes, bemused gravity and slant perspective on the world at hand bring Emily Dickinson to mind....McHugh remains one of our most important and unusual poets...."— (Starred Review) "Offering an idiosyncratic sense of sacredness, the book makes the earnest and the tongue-in-cheek almost indistinguishable....Writing in her signature relaxed iambic line, McHugh flips and winds the language of American common wisdom. In ...we encounter a poet who is listening assiduously. Her attention to language is visible in each poem's marked use of rhyme. The sustained outpouring of alliteration gives the sense that McHugh will never be out of breath."— "McHugh’s poems move as fluent wholes, thanks in part to her artful use of rhyme, rhythm, and portmanteaux. If much ancient poetry has become fragmentary over time, and much modern poetry begins as fragments, Heather McHugh’s poetry blurs the line between fragments and wholes, crafting one from the other. She delights both in dilating linguistic fragments into astonishing new wholes and in exposing and excavating language’s invisible fault-lines."— “If McHugh is serious, she’s anything but grim; with all her punning, bantering, and mock scolding of herself . . . she brightens the shadowy corners of her world with verbal pyrotechnics.”— “McHugh is known as a challenging wordsmith, but, as this collection reveals, she is also a compassionate eyewitness . . . Her lines are animated but serious, and though they accelerate quickly, meaning and humor can be found in a single word.”— “Her poems are open, resilient, invisibly twisted: part safety net, part trampoline.”— One of 's Best Books of 2009 National Book Award finalist and 2009 MacArthur Fellow Heather McHugh presents a fast-paced, verbally dexterous, and brilliantly humorous book. Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry. is the author of a dozen books of poetry and translation. She teaches at the University of Washington and Warren Wilson College and lives in Seattle.