The German-born sitar, flute, and saxophone player
Prem Joshua
and fellow multi-instrumentalist
Manish Vyas
had been musical collaborators for over 15 years when they released
Water Down the Ganges
, the first album credited equally to both of them. Like most of the music produced by
, the album is a fusion of Eastern and Western traditions and influences, combining club-derived beats and electronic textures with the sounds of the sitar and the bamboo flute, and occasionally a
smooth jazz
saxophone. The music on this album is inspired by the Ganges, a river held sacred by the Hindus of India. It bears little structural relationship to the
classical
music of the subcontinent; instead of the traditional three-part expositions of
ragas
, what you will hear are the extended spinning-out of original themes that draw as much on Western melodic traditions as Eastern ones. The strongest tracks, though, are those that are rooted most deeply in the sounds of India. The more modally astringent saxophone parts on
"Habibi"
and the
bhangra
-flavored
"Sawari,"
for example, are much more interesting than the rather syrupy ones on
"Nisha."
But throughout the album
and
Vyas
do an admirable job of balancing surface pleasantness with musical depth. This is one of those rare albums that will appeal equally to fans of both
new age
and more substantive
world
-music traditions. ~ Rick Anderson