Ever since forming his backing group
the Fabulous Superlatives
in 2003,
Marty Stuart
has specialized in exploring various paths in country music's past.
Way Out West
, his 2017 album, continues this tradition by taking them and his crew out west to collaborate with
Heartbreaker
Mike Campbell
in a fevered Fantasia of cowboys, truck drivers, surfers, and other rebels. The brilliant thing about
is that
Stuart
doesn't limit himself to either the pile-driving sounds of Bakersfield or the burnished country & western sounds of Hollywood cowhands. Each of these styles gets its own showcase -- "Air Mail Special" rampages like the best of
the Buckaroos
, "Old Mexico" splits the difference between
Johnny Cash
and
Marty Robbins
-- but
not only swaps these sounds, he synthesizes them, so
winds up playing like an idealized version of California country. To that end, he even incorporates the big jangle of
the Byrds
-- "Time Don't Wait" rings and swirls like prime 1966 psychedelia, a move that shouldn't come as a surprise with
Campbell
as the album's producer -- and creates a holy ruckus on "Quicksand," which plays like
Link Wray
teaming with a Cosmic American honky tonk band to play a dive in Santa Monica, or "Please Don't Say Goodbye," a shimmering desert ballad that hints at the lush soundscapes of
Lee Hazlewood
. For anybody familiar with the rich traditions of West Coast country and roots music, it's fun to spot the influences on
, but this is neither an exercise nor a history listen.
are having an outright blast indulging in their imagined wild west, and the end results are so clever and kinetic, they're difficult to resist. ~ Stephen Thomas Erlewine