Long-running Brooklyn instrumental trio suffered a major loss with the tragic death of their drummer in 2009. Along with providing the pulse for since their 1998 inception, was a busy guy, splitting his time drumming for , , and others. His busy schedule, along with the extracurricular activities of other members, had pushed the group into a prolonged backburner status. At the time of his death they were in the process of recording what would be their third album, following 2004's . , completed posthumously in the years that followed ' passing, represents his last recorded work, and presumably the final output from . The album was completed with help from members of as well as other friends connected with the roster. This connection is apparent, as a heavy influence runs throughout the album's seven tracks, from the constantly propelling disco-punk beats to the sleazy, repetitive guitar lines. The hard synth programming of "Slave to the Algorithm" meets with robotically precise live drumming. The Krautrock influence is still strong on songs like this one, as well as the one-note sprawl of "Lazy Afternoon of the Jaguar" with its -esque guitar washes. Likewise, the textural interlude "Sex Ghost" breaks up the album's churn with two minutes of glacial walls of synth not unlike the more distant moments. The eight-minute "If It's Gone (It's On)" is the album's only flirtation with vocals, featuring vocalist shouting a mantra behind the song's building computronic rhythms. The pounding four-on-the-floor beats and live band techno flourishes update the math rock of 's early days, transforming their earlier ear for showy time changes and trickery into an unraveling of various hypnotic subtleties. It's sad to think that this is the point in the group's evolution that marks their final chapter. Even with years between albums and the tragic loss of a key contributor, the band's sounds are more locked in, realized, and focused on the same relentless track than ever. ~ Fred Thomas