It has become increasingly clear in recent years that, for all their differences, the many varieties of thinking commonly grouped together under the rubric of “postmodernism” share at least one salient characteristic: they all depend upon a stereotyped account of the Enlightenment. Postmodernity requires a “modernity” to be repudiated and superseded, and the tenets of this modernity have invariably been identified with the so-called Enlightenment Project. This volume aims to explore critically the now conventional opposition between Enlightenment and Postmodernity and question some of the conclusions drawn from it.