Wound up to an even more vicious fury of rage and sorrow due to the Falklands War,
Crass
completely exploded on the awesome
Yes Sir I Will
, its bitter title taken from an encounter between a gruesomely wounded veteran of that conflict and
Prince Charles
. The most concise sonic assaults against the war and the role of
Margaret Thatcher
's government --
"Sheep Farming in the Falklands"
and
"Gotcha!"
-- aren't included among the seven untitled tracks here, instead appearing as separate singles. What is here, though -- essentially one long piece divided up into six shorter pieces and a lengthy second side/second half -- is, as a collective artistic expression, one of the strongest indictments of a society and its government ever. As always,
mixes things up in the recording studio, from beautiful string/piano pieces (the "what did you know?/what did you care?" passage, with flat-out lovely vocals from
Ignorant
) to amped-up roars of rant and rage.
,
Libertine
, and
De Vivre
trade off lead throughout, creating an ever-evolving piece that more than most sounds like the expression of a full society needing to simply say the truth at long last. Musically, the fierce power of the band doesn't let up (
Rimbaud
's drumming sounds better than ever, punchy and full, as does
Wright
's bass, while
Free
and rhythm guitarist
N.A. Palmer
keep up the electric aggression). The war isn't the only subject under discussion: everything from the
Thatcher
government's complicity in allowing U.S. cruise missiles to be based in Britain to the exploitation/packaging of musical traditions in the guise of "world music" gets a look in. Even
rip-off pseudo-anarchy groups go under the knife. But as the group says early on in the recording, "Everything we write is a love song," and extreme as it all seems, there's no doubt
wanted to help humanity up from where it was at. ~ Ned Raggett