Only a year after the release of her first CD , Quebecer cellist came back with a stronger, more mature effort: . The title reveals a conscious aim at producing music of cinematic quality. Furthermore, recorded this one with the intention of making it international. Exit the lyrics, both French and English: all vocals are wordless syllables. It adds to the mystery of the music. Comparisons to are still in order, if only because of 's vocal and emotional range. The difference now is that she reaches the same emotional heights as the pianist, without words. When collecting references, would have to be in the list, but also soundtrack composer . For , has changed her accompanying band. Of the first CD, only percussionist remains (guitarist appears on one track). Electric guitar and bass are out. Around the lady's voice and cello one finds a second voice ( ), a second cello ( ), and on upright bass. This acoustic setting (enhanced by occasional synthesizers and sampled atmospheres) suits 's music to perfection. Moods are soft, slow-developing, suddenly bursting with emotion. Each piece is a short film where 's now distinctive personality shows behind every note. Highlights include the more radio-friendly (For Gabrielle), and the longer worth the album alone. The last track, includes the two-minute official song, plus a hidden five-minute improvisation on the same musical statement. shows great maturity for a second album and can only strengthen 's international following. ~ Francois Couture