This Vedic research work took more than 12 years to the author Sivkishen Ji, is a Vedic scholar. He had surfaced the fascinating and interesting facts for the first time in this universe with authenticity. He is the copyright holder of the electronic and traditional publishing rights of Wisdom Beyond Boundaries, vide registration No 54426 of 2013 dated 25.09.2013. This massive work is full of Amazing Epic Stories, Amazing Vedic Wisdom Series, and Amazing Stories of Kathasaritsagara. This Amazing Stories of Samaveda is a part of them. In this work the Diviners, Ganga, Parvati, Ekaparna, and Ekapatala reached Kanakachala Temple in the 'Mesmerizing' Shambala, the Kingdom of Shiva to acquire the highest knowledge of Vedas, like in any Incarnation beginning with an initiation ceremony of education. As the story moves, the Diviners saw that Nandiswra chanting Shiva Tandava, a vigorous dance that is the source of the cycle of creation, preservation, and dissolution. He explained on the Lasya dance preformed by Parvati denoting happiness, grace, and beauty.As the moved forward, Sevita Sivani explained everything about classical dances in the Natya Mandira. The Divine Goddess Saraswati directed the Samaveda Priya to teach everything about Veda of Melodies and Chants. Samaveda Priya imparts the Rigveda set to music as well Samaveda samhita not meant to be read as a text, it is like a musical score sheet that must be heard. In addition to singing and chanting, mentions instruments. The rules and suggestions for playing various instruments form a separate compilation, called the Gandharva-Veda, and this Upaveda. This field of study was central to the composition of the Vedas. This includes, Amazing Chants, Melodies, Ragas, Tala, Vadya, Melakarta Ragas, Sacrificial ritual, and procedure of Pravargya.More importantly, they got briefing on the Metres as tools for literary architecture. The seven major ancient Sanskrit metres are the three 8-syllable Gayatri, the four 8-syllable Anustubh, the four 11-syllable Tristubh, the four 12-syllable Jagati, and the mixed Pada metres named Ushnih, Brihati, and Pankti.Beyond these seven metres, ancient and medieval era Sanskrit scholars developed numerous other syllable-based metres (Akshara-chandas). Examples include Atijagati (13x4, in 16 varieties), Sakkari (14x4, in 20 varieties), Atisakkari (15x4, in 18 varieties), Ashti (16x4, in 12 varieties), Atyashti (17x4, in 17 varieties), Dhriti (18x4, in 17 varieties), Atidhriti (19x4, in 13 varieties), Kriti (20x4, in 4 varieties) and so on. They learned The Chandah Sutra and Chandah Shastra.The Anushtubh Vedic metre became the most popular in classical and post-classical Sanskrit works. It is octosyllabic, like the Gayatri metre that is sacred to the Hindus. The Anushtubh is present in Vedic texts, but its presence is minor, and Trishtubh and Gayatri metres dominate in the Rigveda for example. Dominating presence of the Anushtubh metre in the both Ramayana and Mahabharata, that is extremely difficult to get details on the Melodies in Vedic Epics.The entire assemblage enjoyed Ramayana, Shiva Tandava Stotra, written by Ravana, the asura King and devotee of Shiva, and the fascinating story of Tulasidas that to writing Hanuman Chalisa, Mahabharata, and Bhavad Gita. They danced with Ecstasy to the melodies sung by Samaveda Priya, Nandiswara, and Sevita Sivani.They learned the amazing contribution of Bharata Muni, author of Natya Shastra a Sanskrit treatise on the performing arts, one that has influenced dance, music, and literary traditions in India. It notable for its aesthetic "Rasa" theory, which asserts that entertainment, to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and moral questionsThey were amazed at the briefing on the Wondrous Music of Omkara generated by Planets in the Solar System, Stars, and Galaxies.