is a photographic exploration of the liminal spaces occupied by female masculinity in contemporary communities. Its first incarnation exhibited as a public art project in transit shelters around Vancouver in March-April 2013, with a simultaneous gallery show at the Vancouver East Cultural Centre (the Cultch). According to Cultch administrators, the opening night (which attracted over 500 attendees and spilled out into the street for half a block) was the largest visual art opening in their 35-year history. The project caused an internet sensation, generating thousands of posts and shares on social media, blog posts as far away as Germany and Denmark, and interest for further exhibitions across Canada and the United States. This project delineates as an inclusive site of resistance to limitations on the way women, gender, and sexuality are still defined. The images honour the beauty, power, and diversity of women who transgress the gender binary, interspersed with text written by the photographic subjects themselves. The transversal dialectic of female masculinity is celebrated here — unapologetic and undiluted. The author positions as intrinsically queer. They explore the complex and contradictory natures of butch, “glorying in our mercurial and perhaps sometimes confusing natures.” not only forces a reassessment of the body and the queer subject, it dismantles socialized, role-defined, gender appropriate behaviour. The queer cultures in which is situated are constantly changing, and the author captures a diverse range of portrayals that celebrate and reflect butch identities. In the context of transgender movements, intersex activism, and genderqueer dialogues, a project like on picturing and mirroring butch finds an important place.