's debut album, , established him as one of the stronger New York natives working hardcore territory toward the end of the '90s. He's a terrific lyricist with microphone technique to spare, and actually rhymes faster than his clear influence, . He's also quite versatile, aiming for the dance clubs, the ladies, the purists, and the mean streets at varying points on the album, and connecting with all of them pretty well. Similarly, the production -- by a cast of many -- is tough and funky, paced by deep street beats, but remains accessible to audiences outside the hardcore faithful. The close cousins and the latter 's breakthrough hit, manage to be cocky and self-deprecating at the same time, and the other widely exposed track, is at his grittiest. There are numerous guest appearances, the best of which include mentor (on several tracks), ' on the MC showcase on and an extra-insane isn't quite a classic -- for one thing, it's too long, and for another, it doesn't really break much new ground stylistically. But it's very well-executed, and demonstrates just how much talent and potential had. ~ Steve Huey