In his mid-'80s, Dominican Republic-born Jose Cobles aka was known best for founding the group , but has been little known in the U.S. all his adult life. This contemporary recording should change all that, and while his story might parallel the famed Cuban in terms of being recognized during his golden years, s music remains hopefully romantic, a bit reserved and doubtful, classy, but still with the indomitable spirit forged by wisdom, rendered by soul. Seasoned, passionate, quite capable as a guitarist, this effort by guitarist/vocalist and his group speaks to the heart of traditional folkloric music from his homeland, with typical themes spiced up just a bit by laid-back rhythms and only occasionally a sense of remorse. Fellow guitarists and play lead melodies while strums along with bassist and bongo player to keep the beats pleasant, stirring, and consistent. In true troubadour fashion, croons the cute and sweet in a bluesy way, expresses an emotion similar to the famed pop song during the expression of being too late on is ultimately suave on the title track, and jumps into a cha-cha or clave rhythm in the steady pace of The ensemble is hopped up on the energetic accented by three-beat percussion, and they jam out on the fast-paced rife with counterpoint and a chorus of singers aside , both outstanding tunes. At their most deeply soulful, the group performs as if it were made specifically for them, steeped in old world custom, coming straight from their hearts. There's a version of the ever-famous that features an improvised introduction, and the resonant chorus of voices in joyous celebration. In a bolero style, has the band expressing ultimate desire and a wanton mood that is more implied on the other songs. For those who enjoy the acoustic tradition of southern hemisphere music, not to mention sounds inspired by intimacy, should be very satisfying, and a reminder that feelings from yesteryear are still relevant in modern times. ~ Michael G. Nastos