While will always have a prominent place in the story of U.K. punk, did nearly everything first, including the first single, the smoking "New Rose," and the first album, namely this stone classic of rock & roll fire. At just half an hour long, is a permanent testimony to original guitarist ' songwriting (ten of the 12 tracks are his) and the band's take-no-prisoners aesthetic. Starting with 's sharp bassline for "Neat Neat Neat," which rapidly explodes into a full band thrash, left rhetoric for the theoreticians and political posing for . All the foursome wanted to do was rock, and that they do here. already has his spooky-voiced theatrics down cold; "Feel the Pain" indulges his fascination while the band creates some creepy fun behind him. Most of the time, he's yelping with the best of them, but with considerably more control than most of the era's shouters. ' considerable reputation as a drummer starts here; comparisons flew thick and fast to , and not just for on-stage antics (of which there were plenty). His sense of stop-start rhythm and fills is simply astounding, whether on "So Messed Up" or in his own one-minute goof, "Stab Yer Back." Though doesn't get his full chance to shine on bass, he's more than adequate, while just cranks the amps and lets fly. Concluding with a version of ' "I Feel Alright" that sounds hollower than the original but no less energetic, is and remains rock at its messy, wonderful best. ~ Ned Raggett