Even more than its predecessor, the aptly titled eschews the heavier, more political tendencies that had become synonymous with 's music for more than a decade, returning to a more personal, introspective side. The opening track, a horn-driven rocker that wouldn't have been out of place on many of his recordings during the '80s, and the almost joyful finality of bookend what is primarily more subdued material, including the tender second track, which more suitably sets the tone for the album. And though it may not possess the intensity or power of his early-'80s output, comes with nearly a quarter century of experience behind it, bringing an insight, depth, and maturity to 's ventures into love and the mystic. Still, there's just enough outrage and frustration to keep things interesting. Musically, 's sympathetic production tastefully and engagingly frames the songs, placing 's vocal and characteristically superb guitar at center stage. Those who may have found his overtly political, worldbeat and jazz-inflected rock a bit strident in the past should find his approach here more inviting. And while he may have revisited this familiar ground from time to time throughout his career, is a convincing reminder of a gentler, more reflective . ~ Brett Hartenbach