“With its substantial new introduction by a preeminent literary scholar, this book offers provocative and diverse perspectives on . Each essay reminds us of the staggering beauty and complexity of this classic African play. The book is a welcome addition to any collection, especially at the present time when scholars are debating how to understand local systems of knowledge in world drama.” —Stephanie Newell, Yale University “An authoritative edition with an insightful introduction by Simon Gikandi who situates Soyinka’s play in the context of ‘Yoruba beliefs and systems of thought’ along with covering this Nobel laureate’s diverse 60-year career. Key essays provide significant cultural and critical material (updated from the 2003 Norton Critical Edition) valuable to students and scholars in interpreting this play. Additionally, a new section, ‘The Play on Stage,’ usefully brings the printed text to life with discussions of Soyinka as director, and the challenges of producing this play in theaters across the world with varying audiences, and critical receptions. A welcome new Critical Edition from Norton.” —Ketu H. Katrak, University of California, Irvine This Norton Critical Edition includes: