On her first solo outing since 2014, weaves a warm blanket of hopeful indie pop with artful and frequently lush arrangements. A fixture of Australian indie music since the 1990s, has remained busy in recent years composing the soundtrack the popular comedy series The Letdown with her husband, producer ( ), publishing her first novel, and releasing a second album as part of the songwriter supergroup . Written and recorded at home during the depths of the global pandemic, is her third proper solo album, though she previously released two more in the same vein under the name . It is also as comforting and lovingly crafted as anything she has released. Opener "Please Louise" is classic , blending clever wordplay with an endearingly compassionate tone and strong, driving melodies. Her airy vocals thread another highlight, "Table for One," as gentle guitars and pianos intermingle with layers of shimmering synths. For a record conceived during such a dark period, is intentionally upbeat and buoyant, focusing on affirmational themes like self-reliance ("Female Pied Piper") and the healing power of nature ("Fill My Senses"). This type of sweetly sighing chamber pop is 's wheelhouse, and while she doesn't do much to push those boundaries, she also does no harm to her reputation. is affable and easy on the ears with enough standouts to help anchor its more ephemeral tendencies. ~ Timothy Monger