includes new research on the best-known of the posthumous publications: 1964 (and the 2009 ; , 1970; and 1986. Linda Wagner-Martin provides background and intertextual readings—particularly of the way Hemingway’s unpublished stories (“Phillip Haines was a writer”) and his fiction from and interface with the memoir. The revised edition also highlights and provides background on Hemingway’s treatment of F. Scott Fitzgerald and Gertrude Stein, his life in Paris in the 1920s, and his connection to the poetry scene there—putting this in conversation with Mary Hemingway’s edits of . The new chapters also illuminate the reception of and a new way of understanding the role of gender and androgyny in . On a whole, the book draws from extensive archival research, particularly correspondence of all four of Hemingway’s wives.