is Brad Walrond’s dazzling afro-futuristic, afro-surrealist journey through New York City’s underground art movements, including the New Black Arts Movement, Black Rock Coalition, the Underground House Music-Dance community, the HIV/AIDS Black Queer Artivists, and the House Ballroom Scene. catapults us to New York City mid-1990s, early-2000s to rebroadcast the black queer creative genius of marginalized communities. Walrond questions narrow conceptions of “alien” as outsider, to explore how feelings of alienation also call us toward our shared humanity. In holographic odes, he pays homage to creative forces both living and dead. Giants like James Baldwin, Nina Simone, Octavia Butler, Ntozake Shange, Amiri Baraka, belong to the same space-time as Larry Levan, Erykah Badu, Vernon Reid, Yasiin Bey, Greg Tate. Here Patti Smith, Kendrick Lamar, Kalief Browder, Willi Ninja, Jeff Mills, Sarah Jones, share the same air. Featuring gorgeous, black-and-white illustrations, traces our common and conflicting identities to vindicate why human beings are always greater than the sums of our parts. Walrond is a rebellious virtuoso wielding empathy, grief, anger, and grit in equal measure. This triumphant collection is a passionate reminder that through our dreams and determination, we create our own utopias.