's third album, , like his second, , expands on the Native American flute sounds by including contributions from keyboardist/guitarist . It also adds selected other keyboardists, who have been invited to submit their own compositions and co-produce the tracks: on and on the title track. But 's various flutes remain the dominant instruments and his slow-paced, thoughtful style pervades all the tracks. The tone ranges from the gospel-tinged which has a stately melody harmonized by four overdubbed flutes, to the melancholy its title a reference to the violated terms of treaties the U.S. made with Native Americans. explains his intentions in notes on each selection, and his music achieves those purposes, but it need not be treated as program music necessarily. Still, with its suggestions of wind and birds and its calm, considered feel, it is music that evokes the calm of nature. ~ William Ruhlmann