Walton explains that liturgies typically described as "feminist" emerged in the late 1960s when women and some men realized that what they were experiencing in the liturgies not only wasn't *enough - but, in fact, wasn't *true. - a liturgical process that centers on an encounter - an engaged, embodied dialogue with God - cannot be true when females are left out of the dialogue. To make the liturgies more accurate, people joined together to discover how to use symbols, texts, and forms that expressed relationships with God more authentically. Walton examines four aspects of feminist liturgies: the historical context in which they developed, the tasks and principles that guide them, the possibilities they offer, and application to regular institutional liturgies. In examining these aspects, Walton responds to questions, clarifies hunches, alleviates doubts, and encourages more people to contribute to the development of feminist liturgies. Art and Worship: A Vital Connection