The film adaptation of the Broadway arrived in theaters four years after the show had opened, again starring , but much had changed in the interim, and that's reflected in the album. While the stage show had been dominated by , there had still been room for character songs performed by other people, and the cast album contained 15 different numbers, all written by and . For the film, eight of those songs were dropped, replaced by three new - numbers and two period tunes, one of them the torch song which was associated with star , of whom the film was nominally a biography. There were still a few moments for secondary characters to burst into song, notably the comic and a verse of for co-star (who proved to have an adequate conversational tenor). But the movie version of was even more of a showcase for than the stage production had been. She responded with a more mannered performance than the one she had given on the cast album, broader and full of spoken interjections. In part, that was necessary -- when you're singing from a tugboat in New York harbor, you'd better oversing just to keep up with the production values. But the third time around with it (including the hit single rendition), she loaded with vocal effects that bordered on self-parody. With a full movie orchestra, this version of the score is generally bigger and glossier, and holds her own and then some. But the result is that this drastically revised rendering of the score is less successful than the previous one. ~ William Ruhlmann