The book explores how the Genesis poems resort to the Christian exegetical tradition and draw on secular social norms to deliver their biblically derived and related narratives in a manner relevant to their Christian Anglo-Saxon audiences. In this book it is suggested that these elements work in unison, and that the two Genesis poems function coherently in the context of the Junius 11 manuscript. Moreover, the book explores recourse to Genesis-derived myth in , and points to important similarities between this text and the Genesis poems. It is therefore shown that while differs from the Genesis poems in several respects, it belongs in a corpus where religious verse enjoys prominence.