When made his recorded debut in 1996 on the album (a compilation also featuring performances by his father and grandfather), presumably thought they were getting a retro-styled alt-country act with a very marketable name. But it didn't take long for to make clear he wasn't interested in playing nice or conforming to anyone's expectations, and he made no secret of his anger and frustration with the label as he struggled to release his punk and metal-influenced music alongside his trad-country sides. In 2009 was finally allowed to release an album under the moniker of his death metal/"hellbilly" hybrid , but that was hardly the first time he'd put his edgy rock to tape; in 2003 he cut an album called This Ain't Country that refused to release, and now that has parted ways with and announced his intention to release his next album on his own, has pulled a classic "don't let the door hit you on the way out" move and finally issued the widely bootlegged This Ain't Country recordings under the title , without having any say over the release. As music, ranks with the best rock material has recorded to date; the approach is more musically and sonically diverse than the album and feels more satisfying than the rock material on or . has an excellent band on these sessions, anchored by former guitarist and on drums, and they bring the fire to revved-up rockabilly ( ), neck-snapping metal ( ), fifth gear hardcore ( ), speed-ravaged boogie ( ), demonic doom tracks ( ), and even a -influenced electronic piece ( ). is no rock & roll dilettante, and confirms he's every bit as serious about his uncompromising underground rock as he is about his old-school country material, and it all pours from the same part of his ragged soul. But while it's good that this music is finally getting the official release it deserves, many serious fans are going to feel iffy about buying an album released under circumstances that are ultimately an insult to the artist, no matter how raw and powerful may be. ~ Mark Deming