is a deeply inquisitive man, probably too much for his own good. His regimen of frequently questioning God and overanalyzing the theories of love naturally work for him, so the design of isn't any different from what he's done before. But that's not necessarily a bad thing, either. is, in a literal sense, 's sonic bible of beautifully crafted melodies and lyrical mysticism. The warm, honeyed tones of a hushing brass section and string arrangements set the mood on album opener A battle of search and fight is realized almost immediately. God is female and 's lyrical character struggles with trust. Sweeping acoustic guitars drive the lilting paranoia of and but the bluesy feel of is much more gritty. might be a bit preoccupied with finding a good life, but who isn't? He's playful in presentation and actually pretty sweet when it comes to delivering a hook. which features harmonies from , is a testament of that. Whereas was lush in emotion but musically over-produced, stays within the boundaries. It's a decent second album and longtime enthusiasts should leave it at that. [Also released with a bonus track, ] ~ MacKenzie Wilson