Few could have predicted the path 's career would take when he emerged as a progressive trance wunderkind at the end of the '90s. Following -approved hits and remixes for and , he founded and helped launch the careers of , then began releasing glitchy experimental techno that alienated his early audience. However, his euphoric, genre-blending mix CDs and Krautrock-influenced albums like 2013's attracted open-minded listeners, and a tour with 's moved 's focus away from DJing and towards live performance. With subsequent releases like , embraced spiritual jazz and Moroccan Gnawa (the original trance music), as well as progressive electronic and new age. , his 2023 full-length, looks back at his formative influences while keeping the spiritual vibe of his later work. It's a lot closer to ambient techno than trance, but it's a different category than either, with loose, improvisational structures and modular synths that sprawl over the rhythms. The kick drums, when present, are never the focus of the tracks, but they gently tug the billowing arpeggios along. "In the End You'll Know" is like a more caffeinated track that does, in fact, come close to trance territory, but still maintains a rawness and spontaneity rarely present in the genre. The pulsating midtempo shuffler "Four Ways Down the Valley" laces its rippling waves with tangy distortion, and "Worlds Collide Mountains Form" is an unexpected prog-folk diversion with rustic violins, meaty bass guitar, and thumping drums. "You Can Never Go Back" features galloping tabla drumming over haunting ambient house melodies (think and early deep cuts) and light breakbeats. is perhaps the furthest-out release in a discography full of inventive, inspired music, and it's some of 's most exciting and impressive work. ~ Paul Simpson