Given 's unpredictable timing and piss-poor track record recording with bands, this 1965 one-off session for the jazz label would be a recipe for disaster. But with on drums, on bass, and on second guitar, the result is some of the best material with a band that you're likely to come across. The other musicians stay in the pocket, never overplaying or trying to get to make chord changes he has no intention of making. This record should be played for every artist who records with nowadays, as it's a textbook example of how exactly to back the old master. The most surreal moment occurs when blows some totally cool trombone on 's version of 's If you run across this one in a pile of 500 other CDs, grab it; it's one of the good ones. ~ Cub Koda