recorded these two albums, (1970) and (1972), expressly for the Japanese market, and neither has seen domestic release until now. The albums feature 's arrangements of music by two Japanese composers, and , both of whom integrated elements of Eastern and Western music into their pieces: blended popular song styles while mixed with Japanese music. Although was experienced in adapting and interpreting music from around the world, his complex and meticulous arrangements are firmly rooted in Western traditions, which makes these two albums very accessible to Western listeners who have no particular familiarity with or understanding of Eastern music. 's for instance, is based on a strongly rhythmic two-chord guitar riff over which layers of strings play lazy, vaguely Eastern-sounding melody lines. The strong rhythmic orientation throughout is characteristic of the "Beautiful Music" radio format of the '70s, which superimposed light, flowing string melodies over snappy or gently pulsing rhythms. 's imaginative orchestrations and exotic source material combine to create something moody and subtle enough to serve as background music, but interesting enough to reward close listening. The album is very different from the one, with jazzy melodies and more drama, perhaps as a result of 's history of scoring films. Far from being an esoteric reissue for completists only, is an approachable and enjoyable collection for all light music enthusiasts. ~ Greg Adams