Over their previous two outings, SoCal retro-enthusiasts have filtered their tuneful songcraft and ample chops through an amber lens that attracted critical references to late-'60s country rock, Laurel Canyon mysticism, the 's earthier moments, and perhaps more than any other, the fiery pop jangle of . None of this came as a surprise given the similarly nostalgic bent of frontman 's previous outfit . After the sunny Pacific-Americana of their debut, 's compass shifted a bit more toward American trad rock and power pop on 2017's excellent . is their third long-player and if anything, it continues in the warm, -ish pop glow of its predecessor while bringing back a little bit of the wooly guitar spirit of their first album. This is thanks in part to returning guitar hero , another former who made a strong impression on 's debut but sat out their sophomore set. His searing solos and deftly cultivated tone are a significant though bittersweet presence on , as he took his own life not long after these sessions. For their parts, and songwriting partner/drummer have turned in another tight, thoughtful collection of organic, tube-driven folk-rock & roll with plenty of heart and some swagger. "Bad Habits," a ballad, opens the album and serves as one of its highlights, setting up more muscular cuts like "Dark Angel" and the sprightly "I'm So High," before swerving back to more tender fare like the country-toned "Baby (It's All Your Fault)" and the harmonic gem "Get it Back." are a great rock band, but on this album at least, it's their softer, more stripped-down tunes that carry the day and provide 's most memorable moments. ~ Timothy Monger