As the title implies, this is indeed captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era. With the addition of lead guitarist during the recording sessions for their previous long-player, , took increasing strides toward a seamless transition into the consciousness of the rock music audience. 's bluesy guitar runs liberate "Burnin' and Lootin'" as well as "Trenchtown Rock," the only new composition on bobs and weaves his supple-toned fretwork among the somewhat staid rhythms common to reggae. The mutual affinity that binds with his audience is evident in the roars of approval that greet the opening notes of "Them Belly Full (But We Hungry)," "I Shot the Sheriff," and "Kinky Reggae." Likewise, "No Woman, No Cry" elicits a group singalong as the sheer volume of the audience challenges that of the amplified musicians. With this evidence, there is no denying that were becoming the unlikeliest of pop music icons. Additionally, underscores the underrated talents of as musicians. Older works such as "Burnin' and Lootin'" and "I Shot the Sheriff" benefit greatly from 's keyboard punctuation and the soulful backing vocals of . ~ Lindsay Planer