In terms of content and quality, not much differentiates from , 's previous album. The most noticeable distinction between the releases is the greater amount of collaborative work on this one. ( ) plays saxophone and flute and arranged the horns. On four songs, unobtrusive talkbox is provided by , a longtime and associate who (like ) recorded for ' -affiliated boutique label. The presence of the talkbox, not to be confused with Auto-Tune, is no random authenticator; in the sleeve, the band acknowledges innovator , as well as his son, "co-conspirator" . 's contributions give the album a funkier, slightly bolder edge. Otherwise, this is standard-issue . As ever, the band's unmistakably live sound is in effect, and all of the material is relatable, from "Believe in Us" (fostering faith in love) to "Blessed" (remaining positive in the face of conflict). What initially sounds like a lull during the album's middle third eventually reveals some subtly affecting material, reminding listeners that don't have to be flashy to shine. Additional bright spots come from , whose turntables add color to "Girl of My Life," and , who drops a nostalgic and hushed verse on the finale. The musicians are on a roll; this is the shortest span of time in which they have released three studio albums, and each release should be heard by anyone who has enjoyed the '90s output. ~ Andy Kellman