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My Lady Don't Love My Lady
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My Lady Don't Love My Lady
Current price: $15.99
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Barnes and Noble
My Lady Don't Love My Lady
Current price: $15.99
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Over his 11 CDs plus a greatest-hits package for the
label,
has been one of the most consistently satisfying blues artists heard anywhere. Sporting a sly but sweet voice and more than competent, pleasing guitar style,
has made inroads into keeping the real urban blues tradition alive, where many others have either watered it down, rocked it out far too much, or funkified it past the point of recognition. Fans will be doubly pleased to hear
with an all-star showstopping band of heavy friends covering some truly classic material plus a few of the leader's originals based on pure downtown amplified Chicago blues. Producer and guitarist
heads the crew along with fellow former
bandmate
on baritone sax, the estimable bassist
, the fantastically talented pianist
,
on tenor, and very special guest guitarists
and
. It's a horn-driven sound through and through with
's singing up-front where it belongs in the spirit of music that makes bad times feel better. Of
's original tunes, the title track might very well be a cautionary tale for philanderers, but is in fact the funky story of a woman pitted against
's wah-wah guitar, and whether it's the woman or the guitar spending time with him at night.
has a similar either/or theme in a cool and wintry Chi-Town get-out-of-town mood, while
is in a more disgustedly tiring mood at always looking over one's shoulder for rivals. The rest of the material is absolute classic blues, from
's slow and sly evergreen
(which was popularized by
) to the immortal
slinky get-down tune
(with able help from the brilliant
),
's
(with
's deft and character-building piano), and
's easy funk blues
shows up on his upbeat shuffle
and the band cleanly tackles the soulful bompity-bomp number
penned by the late head honcho of
.
's feature
is every man's reconciliation plea as the band gets down to business.
generally takes the mellow route to the heart of authentic blues, with the bandmembers using completely unforced motion with no hidden agendas in the way they all play together. Of the many fine recordings
has issued over the years, this is close to his very best, and comes easily recommended. ~ Michael G. Nastos