Recorded in 1977, follows the Afro-beat template to a masterful level: amazingly catchy guitar lines that replicate a bass guitar in their construction, a second guitarist to add some funk power, driving horn section proclamations, intricate saxophone, trumpet and organ improv solos, and then 's wit and message for the people. Even though had vowed to speak his mind, he turns in a song where he proclaims to keep his mouth shut if it means that he will harm his brothers and sisters in the population (not that he actually does, as some of his most scathing songs have yet to come). is decidedly some of the most interesting instrumentation that he had turned in. With help from trumpeter extradordinare ( turned in a tenure of about a year with ), the solos are magically inspired and the rhythm section rolls on with the power of a steamroller. the instrumental B-side, sounds more like part two; it does, however, carry its own weight -- again with the help from . [In 2000, released with as a two-fer.] ~ Sam Samuelson