On a brisk set with some familiar callbacks to their big beat heyday, offer a decent late-era installment with their ninth album, . Not as exploratory or insular as their other 2010s output, is a steady, no-frills mix that focuses more on clever samples than guest vocals and festival-sized body-rocking. Standing out atop the pack, the singles are the best moments on the album. Persistent throbber "Got to Keep On" rides a glittery disco-funk sample ( 's 1977 gem "Dance With Me") while "We've Got to Try" goes the soul route by swiping the uplifting vocals from ' "I've Got to Find a Way" and grinding them into a buzzy, robust anthem that recalls the duo's late-'90s best. In a similar vein, "Free Yourself" is all digital dread, taking snippets of 's utopian poetry and twisting them into a robotic instruction manual for liberation through the dancefloor. However, "MAH" ends up being the riotous highlight of (utilizing a hilariously crotchety sample from 1977), the closest come to that "classic" old-school sound. In addition to the singles, Norwegian singer plays an important role in the album's sound, bringing much-needed emotion to a trio of songs with her ethereal vocals and songwriting. Japanese rapper also guests, dropping a scene-stealing and all-too-brief verse on "Eve of Destruction." While not a low in ' catalog by any means, is also not their strongest or most memorable work to date. It's best not to call it a comeback, just another ample addition to their decades-long discography. ~ Neil Z. Yeung