Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted. instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R&B made since the turn of the millennium. Utilizing an interdisciplinary approach that combines music criticism, philosophy, and the literary essay, Robert Loss follows the stories of a diverse cast of musicians who seek the new by wrestling with the past, navigating the market, and speaking politically. The transgressions of Bob Dylan's . The pop spectacle of Katy Perry's 2015 Super Bowl halftime show. Protest songs against the war in Iraq. argues that performance heard in a historical context always creates a possibility for newness, whether it's Kendrick Lamar's multi-layered , the Afrofuturist visions of Janelle Monáe, or even a Guided By Voices tribute concert in a local dive bar. Provocative and engaging, challenges nothing less than how we hear and think about popular music-its power and its potential.