Organized chronologically, includes Burgin’s take on the emergence of conceptual art in the early 1970s, his explorations on the theoretical foundations for a post-conceptualist socialist art practice in such non-Western precedents as Maoism and Russian Formalism, and essays on the issues of gender politics and sexuality as they came to the fore in psychoanalytic criticism. In addition, excerpts from record his observations on an art world turning toward fashion and gaining unusual wealth. His later works, influenced by his experiences teaching cultural theory at the University of California, look at art theory from within an environment almost unrecognizably transformed by cultural, political, and economic globalization, as well as unprecedented forms of technology and violence. An extensive selection of works from a long and influential artistic career, will be invaluable to admirers of Burgin’s art and writing as well as those readers with an interest in contemporary art and art theory