's first release was a long journey; their second release is a poem in five verses. Although all four musicians are active in other groups and as solo artists, at this point they had been playing together for roughly six years and they display the group sensitivity which is essential for a quality improvisational combo. Recorded in front of a small live audience, this performance is perhaps more abstract and free than the first effort, and has somewhat less in the way of overt -isms. Although there are only a few extended solos taken, each musician has opportunities to show what he can do, as all five tracks provide a shifting kaleidoscope of duets and trios, as well as the frequent collective engagement of all four participants. , who plays only tenor and soprano saxes on this CD, is the emotional core of the group. He is a marvelously fluent and flexible player, but everything he plays also seems to have strong personal conviction. Pianist , with his classical training, is the group intellectual, and is not adverse to outside techniques such as plucking or strumming the piano strings. Whenever the group direction seems to be headed toward the conventional, is usually the one who inserts the strange, unexpected chords or rhythmic bursts, as if to remind everyone (including other group members) that will not settle for the easy solutions. And while on drums and on bass are by definition the "rhythm section," they are also much more than that. has a huge tone and superb intonation, and does far more than just establish a pulse. Likewise with , who qualifies not only as a powerhouse, polyrhythmic drummer, but as a percussionist and "colorist." All verses on this recording are highly entertaining, but the last and longest, at over 30 minutes, shows off the quartet at its most daring. Building on nothing more than some curious high-end ivory tinkling by , it gradually acquires the momentum of a runaway freight train by the time wades in on tenor, and then abruptly slows to ballad romanticism, with gorgeously lyrical for a while, and joining in for some very moody, impressionistic playing. One of the real pleasures of 's collective improvisations, for the listener, is the opportunity for active participation in the experience, attempting to guess where a particular line of musical inquiry will lead, and continually being surprised (along with the members of the quartet, I suspect) that it has ended up where it has. ~ Bill Tilland