As riveting as was, did hold back a little and avoided being too consistently sociopolitical. But with the outstanding , the gloves came all the way off, and didn't hesitate to speak his mind about the harsh realities of inner-city life. On (an homage to his idol ), and other gems, embraces a first-person format and raps with brutal honesty about the lives of gang members, players, and hustlers. 's detractors took the songs out of context, arguing that he was glorifying crime. But he countered that, in fact, he was sending out an anti-crime message in a subliminal fashion and stressed that the criminals he portrayed ended up dead or behind bars. Another track that some misconstrued was an interpretation of 's that doesn't promote the use of drugs, but uses double entendres to make an anti-drug statement. ( has always been vehemently outspoken in his opposition to drugs.) In the next few years, would degenerate into nothing more than cheap exploitation and empty cliches, but in 's hands, it was as informative as it was captivating. ~ Alex Henderson