It has been three years since Sweden's released the wildly successful , which peaked at number eight on the Top 200 chart, led by its number five single "Cirice." 2017's EP hit number 16 while its single, "Square Hammer," topped the mainstream rock list. Since then, 's tenure has been tumultuous: The band's "Nameless Ghouls" sued mastermind, chief songwriter, and vocalist , ultimately unmasking him as all three incarnations of Satanic pope and frontman . carries on with as " ," fronting an entirely new cast of musicians. , the band's fourth album delivers on the hooky hard rock promise of by doubling down on the '70s and '80s rock tropes that informed it. and company have drawn from a wide pool of inspirations here, from classic late-'70s and to British heavy metal bands from to , to occult metal provocateurs like and pop songwriting that owes much to . This ambitious set uses the backdrop of the Black Plague during the dark ages as a device for these songs to pivot on. It's not about death so much as how one lives and enjoys life until death inevitably arrives. After opener "Ashes," where creepily ambient electronics frame a haunted kid's choir singing "Ring Around the Rosie" -- a song that dates from the Plague years in the 14th century -- comes the hit single "Rats," whose double entendre lyrics equate human behavior to be as ravenously bloodthirsty and contagious as rodents. Introduced by whomping snare and kick drum, a stuttering riff and ringing twin leads open an insanely catchy melody, articulated by / 's vocals which alternate between sickly sweet to guttural. The layered choruses could soundtrack any teenage night-driving fantasy. "Faith" wears its metal chops proudly, with -inspired chugs behind . "Dance Macabre" is melodic hard rock brilliance, juxtaposing 's reliance on knotty riffs and upbeat hooks with a vocal chorus straight from ' fake book, and framed by 's cinematic bombast. "Witch Image" is occult hard pop at its best (complete with phase-shifted drums), wedding a seductive melody to the lyrics "While you sleep/In earthly delight/Someone's flesh/Is rotting tonight...." The album also boasts a pair of instrumentals: The drifting hard prog of "Miasma" and "Helvetesfonster," where and early meet . "See the Light" flirts with power balladry while transforming itself into a crunchy, headbanging anthem, while closer "Life Eternal" is a ballad proper, offering 's sensitive vocal, melodically pledging undying love even as mortal death occurs. It boasts a swelling church organ, tender piano, and spidery guitars with an operatic chorus during its final third. With , focus all their strengths in delivering a nostalgic, compulsively listenable exercise in theatrical arena rock. ~ Thom Jurek