Young ears listening to are likely to hear math rock and post-rock influences from the likes of , , and . Older ears will hear and maybe . consists of six tracks, five of which range from just over one to six minutes in length, and one of which is nearly half an hour long (the latter is presented in what's described as a "Radio Edit," which has to be intended as a joke). The influence is especially audible on (har har), which features cutesy melodic passages and counterpoint that hark back explicitly to the British rock experimentalism of the early '70s. however, brings things more up to date with a bracing blend of guitar lines and glitches floating in a slightly vague song structure, with rather heavy-handed drums. focuses on guitar counterpoint and weird time signatures. the long one, is deceptively chaotic-sounding at first; it starts out like a string of unrelated ideas, but its overarching organization becomes clearer the longer you listen -- an exceptionally impressive achievement, if not one that is likely to attract millions of listeners. Interestingly, the album's best track is also its briefest -- at just over one minute in length, sounds like a collaboration between and and is a complete hoot. ~ Rick Anderson