isn't a stranger to naked confessionals -- her 2008 album played like a dance-pop version of -- but she's never stripped her music down to the bone, which is what makes her side project with (of , formerly of ) somewhat disarming. is tagged as a folk album and that's largely true. Sometimes, there are luscious touches -- such as waves of swooning strings and floating organs -- and the arrangements are often underpinned by sly percussion and keyboards, but usually doesn't feel like it's much more than and singing on the same microphone as strums his guitar. Such sparseness suggests intimacy and the prevalence of minor keys -- the sad sway of the opener "Capsized" sets the tone -- suggests melancholy, two elements that make feel cozy even when the music plays fairly broadly. Underneath the gentle acoustics, the melodies surge -- their stair-stepping leaps in octaves are tailor-made for 's range -- which means doesn't feel quite as hushed as it otherwise might. Despite those big melodies, isn't particularly sticky in terms of songs. Certain phrases and certain harmonies have hooks, but what lingers is atmosphere: the feeling that this is the product of several late-night sessions where the mood wound up as more important than musical details. [ was also released on LP.] ~ Stephen Thomas Erlewine