Through sheer persistence, turned her 2015 debut into a smash hit, working its lead single, "Ex's & Oh's," for over a year until it cracked the Billboard Top 10 and earned two Grammy nominations. "Ex's & Oh's" raised the stakes for , the sophomore set delivered three-and-a-half years after her debut. From the moment "Talk of the Town" kicks off in a flurry of fuzz, it's clear feels bolder than she did the first time around, allowing herself to break from the retro stylings that defined without quite abandoning vintage sounds and form. As the tracks spill out, what's striking about is the extent to which embraces flashy modern flair, a move that telegraphs her confidence in her own authenticity: she believes in the heart pulsing within these songs, so she's content to let the recording dazzle. There's a reason for this. was written in the upheaval of the success of , a period that included a quickie marriage, rock star excess, and an abundance of soul searching, so the songs are filled with yearning and uncertainty, emotions that could be reasonably called the blues. Much of the album is blues, but it's strength lies within allowing herself not to be confined by notions of purity. Some of this comes from her selection of producers -- , the Grammy Award-winning producer of , who has also worked with and , is the marquee name here, among several other noteworthy helmers -- but is responsible for the splashy, sultry sound of , one that conjures the past while being firmly focused on the present. Its sonic audacity is so bracing, it's relatively easy to forgive the lyrical stumbles, which crystallize on the dirty puns of "It Girl," but that's nearly beside the point because, unlike , never seems indebted to 's idols. Instead, it embodies her own bold, bawdy heart. ~ Stephen Thomas Erlewine