One of the true ultimates in so-bad-it's-sublime listening. This collection culls the most interesting results of the famously bad recording careers of 's and , both of whom recorded albums in the late 1960s. 's seven cuts all stem from his notorious album , which the liner notes here aptly describe as "a bewildering collision of , , and , narrated over a strangely disconnected free-for-all." , meanwhile, gets considerably more attention, owing to his having recorded five (!) albums of "musical" material -- mostly covers of contemporary tunes. He turns in no genuinely good material, but his unsteady attempts at carrying a tune are worth more than a few laughs, whether in his struggles to keep the meter in or his attempts to channel the "spirit" of in (the latter of which is actually ). Although a high rating seems inappropriate for a collection such as this, is actually a must-have for ironists who wish to impress their friends with pop culture detritus. ~ Joseph McCombs