Generations of scholars have meditated upon the literary devices and cultural meanings of . But according to Andrew Taylor not enough attention has been given to the physical context of the manuscript itself. The original copy of is actually bound with a Latin translation of the . looks at this bound volume along with two other similarly bound medieval volumes to explore the manuscripts and marginalia that have been cast into shadow by the fame of adjacent texts, some of the most read medieval works. In addition to the bound volume that contains , Taylor examines the volume that binds the well-known poem "Sumer is icumen in" with the , and a volume containing the legal Decretals of Gregory IX with marginal illustrations of wayfaring life decorating its borders. Approaching the manuscript as artifact, suggests that medieval texts must be examined in terms of their material support—that is, literal interpretation must take into consideration the physical manuscript itself in addition to the social conventions that surround its compilation. Taylor reconstructs the circumstances of the creation of these medieval bound volumes, the settings in which they were read, inscribed, and shared, and the social and intellectual conventions surrounding them.