Sarah Wetzel’s vulnerable and intimate lyrical gestures inhabit the delicate space between this world and the world to come, between one century, one moment, and the next. Their verbs gather ghostly bodies in Rome and Tuscany, in Georgia and New York; every object they encounter becomes a sacred door. This is a memoir of a woman who moves through art as through the world, who moves through the world as through an ever changeful museum of art. She demonstrates again and again that we are never alone, even after deaths and divorce, even before the mirror of our most radiantly broken self. —Marcela Sulak