One of the cornerstones of the New York movement, is 's masterpiece, a relentlessly bleak song cycle that's been hailed by fans as one of the most realistic albums ever recorded. Given 's youthful age and art-school background, it's highly unlikely that is drawn strictly from real-life experience, yet it's utterly convincing, because it has all the foreboding atmosphere and thematic sweep of an epic crime drama. That's partly because of the cinematic vision behind the duo's detailed narratives, but it's also a tribute to how well the raw, grimy production evokes the world that is depicting. The group produced the vast majority of the album itself, with help on a few tracks from (better known as ), and establishes a spare, throbbing, no-frills style indebted to . This is hard, that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets paints here: They inhabit a war zone where crime and paranoia hang constantly in the air. Gangs are bound together by a code of fierce loyalty, relying wholly on one another for survival in a hopeless environment. Hostile forces -- cops, rivals, neighborhood snitches -- are potentially everywhere, and one slip around the wrong person can mean prison or death. There's hardly any mention of women, and the violence is grim, serious business, never hedonistic. Pretty much everything on the album contributes to this picture, but standouts among the consistency include and the classic The product of an uncommon artistic vision, stands as an all-time / classic. ~ Steve Huey