This is one of 's more prized recordings, featuring a slew of classic compositions. The title track is a peppy, pop-flavored number that has a relaxing feel about it. displays his ability to pick and choose the notes which allows a song to blossom, like he does on the standard , ' former pianist, complements 's every eloquent execution of the vibes, and percussionist maintains that Cuban rhythm with his congas. In 1966, when this album was released, was the featured release; with its street texture, this song is ideal for the likes of a flick. The constant cadence of this number is augmented by 's masterful manipulation of his mallets tapping on the vibraphone. The vibes virtuoso comes back on the midtempo and exudes a tender melody on this heart-warming number. And he cooks up a suspenseful, simmering interpretation of utilizing the less vibrating sound of the marimba. 's fluency of the piano is heard on all the tracks except for the and ' aggressive, yet meticulous organ playing maintains a soul-stirring rhythm in between his chord changes, and 's congas accent each track with a Latin-flavored beat. For mellow, moderate, or uptempo numbers, this is one groovin' album in the vein of hard bop. ~ Craig Lytle