's second album, recorded in the spring and fall of 1968, opens with more stripped-down Delta-style blues in the manner of his debut, but adds a little more amplification (partly courtesy of on organ) before moving into wholly bigger sound on numbers like and -- the latter, in particular, features crunchy electric and acoustic guitars and playing his bass almost like a lead instrument, like a bluesman's answer to . Most notable, however, may be which offer working in the realm of soul and treading onto territory. This is particularly notable on which achieves the intensity of a gospel performance and comes complete with a / -style horn arrangement by that sounds more like the real thing than the real thing. by contrast, is driven by a hard electric guitar sound and a relentless bass part that sounds like a more urgent version of the bassline from 's ~ Bruce Eder