New York Times Lord Godfrey Cavanaugh has no thoughts of marrying as he drives into North Yorkshire on a plum commission for the National Gallery to authenticate a Renaissance painting the gallery wishes to purchase. Then a snow storm sweeps in, and Godfrey barely manages to haul himself, his groom, and his horses to their destination. Elinor Hinckley, eldest daughter of Hinckley Hall, stalwart defender of the family, right arm to her invalid father, and established spinster knows full well how much her family has riding on the sale of the painting and throws herself into nursing the initially delirious gentleman who holds her family's future in his hands. But Godfrey proves to be a far from easy patient. Through Ellie's and her siblings' efforts to keep him entertained and abed, Godfrey grows to know the family, appreciating and, ultimately, being drawn into family life of a sort he's never known. Eventually, to everyone's relief, he recovers sufficiently to assess the painting--only to discover that nothing, but nothing, is as it seems. Someone has plans, someone other than the Hinckleys, but who is pulling the strings is a mystery that Godfrey and Ellie find near-impossible to solve. Every suspect proves to have perfectly understandable, albeit hidden reasons for their behavior, and Godfrey and Ellie remain baffled. Until the villain, panicked by their inquiries, strikes--directly at them--and forces them both to acknowledge what has grown to be the most important thing in their lives. Both are natural defenders of the weak and neither will give up. Together they battle to save not just themselves, not just her family, but their futures. Hers, his, and theirs. "Stephanie Laurens' heroines are marvelous tributes to Georgette Heyer: feisty and strong." "Stephanie Laurens never fails to entertain and charm her readers with vibrant plots, snappy dialogue, and unforgettable characters." "Stephanie Laurens plays into readers' fantasies like a master and claims their hearts time and again."