In the short review of the present state of English Art, given you last year, I left necessarily many points untouched, and others unexplained. The seventh lecture, which I did not think it necessary to read aloud, furnished you with some of the corrective statements of which, whether spoken or not, it was extremely desirable that you should estimate the balancing weight. These I propose in the present course farther to illustrate, and to arrive with you at, I hope, a just-you would not wish it to be a flattering-estimate of the conditions of our English artistic life, past and present, in order that with due allowance for them we may determine, with some security, what those of us who have faculty ought to do, and those who have sensibility, to admire.